Kimberly Akimbo Creative
Director
David MartinDavid Martin (Director) is thrilled to finally bring this story to the stage. You may have seen some of his previous
shows here as a director ("Rosencrantz and Guildenstern Are Dead") or as an actor (Black Stache in "Peter and the
Starcatcher"). If not, check out the next one - Howie in "Rabbit Hole" - acting opposite his wife with Summit Theatre
Group. By day, David dispenses sage financial advice for Prosperity Advisors. Special thanks to the cast, crew, his
parents, JAFM, SF, and the cats.
Stage Manager
D.K. EvensonD.K. Evenson (Stage Manager) returns to OCTA having stage managed last season’s "Rosencrantz and
Guildenstern Are Dead". Stage Management: "The King and I" (TTIP), "Noises Off!" (Barn Players), "The Music Man"
(Leawood Stage). Lighting Design: "Rabbit Hole" (OCTA). Set Design: "Barefoot in the Park" (Wyandotte Players).
Properties: "The Dinner Party" (OCTA), "Lend Me a Tenor" (Wyandotte Players). An advocate for the performing arts,
D.K. is a past member of the OCTA, Wyandotte Players, and Potluck Productions Boards of Directors. Shout out to
Dave for another show supporting my “helpfulness,” and to the supes! For mom.
Set Construction
RickL Riley RickL Riley (Set Design) has been doing theatre in the Kansas City area for over 40 years. He lists more than 200
show credits in that time as actor, director, stage manager, set designer/builder, lighting designer/operator, properties
designer, and anything else that happened to fall his way. A long-time member of the board of directors with the
Bell Road Barn Players, RickL retired from his 9-5 day job in 2018, and has since devoted his time and energies to
raising and training Arabian horses at his farm in Spring Hill with his wife, Michaela, and roommate Debbie Hodge.
RickL is always grateful to collaborate with Dave Martin, having done so on several productions at OCTA including
12 Angry Jurors, Arsenic and Old Lace, The Fantasticks, and last year’s Rosencrantz & Guildenstern Are Dead.
He is equally grateful to be working with another great cast and crew and hopes that their experience has been
enhanced by his technical efforts. As always, RickL wants to thank his family for their support and creative input
on this production. Love and Hugs to all.
Properties Design
Valerie MartinValerie Martin (Properties Design) has served as props sistress for every show Dave has directed for the last decade.
She loves a Martin Family All Skate. She has directed and/or choreographed for TTIP (indoor and outdoor), The
Barn Players, OCTA, The White Theatre at the JCC, Sharp Women, and Church of the Resurrection. She’s also the
resident choreographer for the Heartland Men’s Chorus and BVW. She thanks her family and her Super Family.
Lighting Design
Chuck ClineChuck Cline (Lighting Design) is excited to be back for his 26th or 27th or 28th production at OCTA. Recents: "Peter and the Starcatcher," "Merry Wives of Windsor," Volunteer of the Year (recent Buddy Awards) and Best Lighting Design for "The Curious Savage." David Addison - thank you. Chuck loves sports, family, and theatre.
Costume Design
Sarah JeterSarah Jeter (Costume Design) is excited to return to the OCTA stage with "Kimberly Akimbo". Sarah's costume work
was last seen on the OCTA stage in the 21-22 season with "Peter and the Starcatcher" and "A New Brain". Past designs
include: "Once: The Musical" (The Barn Players), "Urinetown" (The Barn Players), "Bat Boy: The Musical" (The Arts
Asylum), "Gabby for God" (The Arts Asylum), and "The Miraculous Journey of Edward Tulane" (Spinning Tree Theatre). All my love to Minkus & Ferguson.
Special Acknowledgements
Michaela Riley and Debbie Hodge for scenic artistry and painting.
Juli and Danny Kaul, Tina and Joel Morrison, Derrick “Bubbycuns” Freeman, Laura and Richard Burt, Eliza Cantlay, Wren Royer, Shawnee Mission West Theatre, MacKenzie Sammons, and Barb Nichols
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Originally produced in New York City by the Manhattan Theatre Club on February 4, 2003.
Commissioned and first produced by South Coast Repertory.
Originally presented as a staged reading at the 2000 National Playwrights Conference, James Houghton, Artistic Director, at the Eugene O’Neill Theater Center.