Synopsis

Rucker Lattimore, proprietor of the general store, announces he intends to marry his employee Love Simpson. He explains the marriage will actually be a “business arrangement”: Love will cook and clean in exchange for the house and its furnishings. Rucker’s grown daughters, Mary Willis Tweedy and Loma Williams, are aghast—Rucker has buried his wife, their mother, just three weeks before, and Love is half his age. Only Rucker’s grandson, Will Tweedy, is happy about the impending marriage.

Soon after Rucker’s marriage to Love, he asks Will to accompany her to church, hoping to show the town the family has accepted her. But the congregation shuns her, and Will and Love leave the service defiantly. Rucker responds by setting up a makeshift church in his parlor and preaching his own sermon, creating further public outrage.

Much to Mary Willis and Loma’s displeasure, Love’s presence brings about many changes: she redecorates the house and Rucker shaves his beard and mustache. One day a Texas rancher comes to see Love—her former fiancé, Clayton McAllister—but she sends him away. In private, Rucker offers to step aside if Love is still interested in Clayton, but she tells him the relationship is over.

While Love is away on a buying trip for the general store, Rucker equips their house with electricity and plumbing. She is surprised and delighted, and Rucker confesses he has loved her from the moment he saw her. He tries to kiss her, but she shies away. She reveals that she was violated as a young girl; when she told Clayton about it, he ended their engagement. Rather than rejecting her, Rucker tenderly proposes that she become his wife in every sense of the word.

At the store, Love uses her artistry as a milliner to win over the town gossips. As Rucker closes the store for the day, he is critically wounded in a robbery attempt. Love desperately tries to tell the dying Rucker that she is expecting his child.

Will carries out his grandfather’s final wishes, which include a funeral party in the town square. Love discloses to the townspeople that Rucker is to be a father again and most of the townspeople are won over at last. Love and the other members of Rucker's family, finally united, receive the congratulations of the crowd and celebrate Rucker’s legacy.
 

Dr. Joshua Wentz moved to Los Angeles in 2016 to take a position as a music professor at Los Angeles Mission College, a Hispanic-serving institution of higher learning, in Sylmar. Almost immediately, he realized that the students coming into his music classes from the NE San Fernando Valley were seriously lacking in musical background, experience, and education. He wondered why students over the years were coming to college less prepared and struggling to do well academically. After some research, he realized that most of the feeder schools in and around Sylmar didn't have strong music programs — many had no music programs at ALL!

This was a major factor that helped Wentz realize the need for music education in the SFV and led to the creation of Mission Opera. This lack of music education, paired with the absence of performance opportunities and hands-on training for community college students, helped the realization that Mission Opera could target and help multiple disadvantaged communities. Mission Opera is a performing arts education nonprofit who produces 3-4 full, mainstage operas each year. Also, our Boxtop Opera Educational Outreach program serves part of our mission to go into low-funded schools in and around LA to teach children about opera and classical music, through live performances with three singers, a pianist and a sound tech with a "box" of props and costume pieces. During the COVID-19 pandemic, we had various types of instrumental and vocal music online programs and went into over a dozen local schools to assist teachers in teaching music - a hard-to-covert discipline - during the pandemic.

Mission Opera strives to produce high-quality, accessible opera and musical theater, to provide members of the community the opportunity to participate at all levels of these productions, and to afford both participants and audiences enjoyment and a deeper appreciation of opera and musical theater.

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