You Can't Take It With You Creative Team

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Director
Holly Rose
Holly is happy to be here at Federal Way High School to teach these talented young performers! In addition to teaching here, she also is the founder and artistic director of Rosebud Children’s Theatre Conservatory www.rosebudctc.org - founded in 2010. Some of Holly's credits include performing in A Narrow Bed (Wings Theatre, NYC), dancing alongside Smashmouth (Radio City Music Hall, NYC) and playing “Benten” in the World Premiere of The Kyogen Rope (O’Malley Theatre, Chicago) to name a few. Holly has earned a BFA in Musical Theatre from the Chicago College of Performing Arts at Roosevelt University; a Performance Certificate from the American Musical & Dramatic Academy in NYC; an MBA with an emphasis in Project Management from the Keller Graduate School of Management; and a Certificate in teaching with endorsements in ELA and Theatre from Northwest Educational Development. Recently, the Educational Theatre Association and Washington State Thespians honored Holly with the "Inspirational Teacher" Award.

Playwrights

Moss Hart

Moss Hart (1904-1961) began his career as a playwright, director and producer in 1930 when, with George S. Kaufman, he wrote Once in a Lifetime. Subsequent Kaufman and Hart successes include Merrily We Roll Along, You Can't Take It With You and The Man Who Came To Dinner, among others. In collaboration with Irving Berlin, he wrote Face the Music and As Thousands Cheer. In solo efforts, he scored personal triumphs with Jubilee, The Great Waltz, Light Up the Sky and Lady in the Dark, which he also directed. His directorial credits include My Fair Lady, Camelot and Winged Victory, which he also wrote. Among his screen credits are A Star Is Born (for Judy Garland), Gentleman's Agreement,and Hans Christian Anderson (for Danny Kaye). His autobiography, Act One, topped the best-seller list for 40 weeks.

 

 

George S. Kaufman

George S. Kaufman was born in Pittsburgh in 1889. During his early career as a reporter and drama critic , he began to write for the theatre. For 40 years, beginning in 1921 with the production of Dulcy, there was rarely a year without a Kaufman play — usually written in collaboration. His only full-length plays written alone were The Butter and Egg Man and Hollywood Pinafore. A master craftsman of the theatre with a keen eye for comedy and satire, Kaufman was frequently brought in by producers to transform the script of a promising play into that of a hit. He was equally adept in almost all varieties of theatre — social satire, as in Dinner At Eight (with Edna Ferber); revues, as in The Band Wagon (with Howard Dietz and Arthur Schwartz); musicals, as in the 1931 Pulitzer Prize-winning Of Thee I Sing (with Morrie Ryskind and George and Ira Gershwin), I'd Rather Be Right (with Moss Hart, Richard Rodgers and Lorenz Hart) and The Cocoanuts (with Irving Berlin); and comedies, such as Once In A Lifetime, The Man Who Came To Dinner, and the 1936 Pulitzer Prize-winning You Can't Take It With You (all written with Moss Hart), The Royal Family(with Edna Ferber) and The Solid Gold Cadillac (with Howard Teichmann). With Morrie Ryskind, he also wrote the screenplays for the Marx Brothers' films The Cocoanuts, Animal Crackers and A Night at the Opera. Mr. Kaufman also directed some two dozen of his own plays plus The Front Page, Of Mice and Men, My Sister Eileen and Guys And Dolls. Mr. Kaufman died in New York City in 1961 at the age of 71.