MACBETH Creative

Director
Ken Coughlin
Ken is an award winning Director who has been a fixture at American Theatre of Actors for 30 years. This is his 3rd foray into directing Shakespeare. He has previously directed Othello and Merry Wives of Windsor. Ken most recently directed Wilber’s New Wife, and received the Jean Dalrymple award for his direction of Rosa Raine, written by his late friend James Crafford, and The Sandman by Lynn Navarra. He’s thrilled to welcome back so many friends for this production, and is looking forward to working with the those appearing at ATA for the first time. Ken would like to thank James Jennings for continuing to trust him with this venue, Jessica Jennings for all her help with this production and finally, Phyliss for her continued support and understanding of the madness he continues to follow.
Creative Member Image
Artistic Director
James Jennings
James is the founder of ATA and has produced the works of over 990 new Playwrights. As a Writer he's a recipient of the John Dos Pasos Creative Writing Award. As a director, he won the T.O.R award for Best Director, for the off-Broadway play The Holy Junkie by John Quinn. He also won the "Jean Dalrymple" Award for the Best Director of the play Blood Money, starring Dan Lauria, and he directed Celeste Holm on Broadway in Salute to Clinton. In addition, he directed Harvey Keitel in The Funeral at the Actors Studio, and in his own play, My Father's House. He is a member of the Actors Studio Director/ Playwright Unit and worked with Elia Kazan, Lee Strasberg and Harold Clurman.
Creative Member Image
Marketing
Alchemy Theatrical Consulting, LLC
ATC is helmed by Jessica Jennings and was created to help theaters and artists with growth and development. ATC has created marketing and ticket platforms for nearly 50 shows in NYC; has helmed the Archive Project for the ATA; has helped secure grant awards for clients. ATC is your go-to for connections in NYC indie theatre scene, Audition Coaching, Stage Direction, Production Management, Dramaturgy, Budgets and Grant Writing. [email protected]
Creative Member Image
Publicist
Jay Michaels Global Communications, LLC
JMGC is creating visibility for independent theater, film, music, and literature has been the battle-cry of this boutique promotion and production firm for more than 20 years. Through a diverse internal multi-media platform, this communications organization is able to supply guaranteed coverage to hundreds of emerging artists and their productions while growing its external network of promotional sites and groups as well as producing events for the purpose of promotion and marketing to industry and generalized audiences. JMGC has clients on and off-Broadway, in film and television, across the country and around the world. [email protected]

William Shakespeare

William Shakespeare

William Shakespeare was born on April 23, 1564, in Stratford-upon-Avon. The son of John Shakespeare and Mary Arden, he was probably educated at the King Edward VI Grammar School in Stratford, where he learned Latin and a little Greek and read the Roman dramatists. At eighteen, he married Anne Hathaway, a woman seven or eight years his senior. Together, they raised two daughters: Susanna, who was born in 1583, and Judith (whose twin brother died in boyhood), born in 1585.

Little is known about Shakespeare’s activities between 1585 and 1592. Robert Greene’s A Groatsworth of Wit alludes to him as an actor and playwright. Shakespeare may have taught at school during this period, but it seems more probable that shortly after 1585 he went to London to begin his apprenticeship as an actor. Due to the plague, the London theaters were often closed between June 1592 and April 1594. During that period, Shakespeare probably had some income from his patron, Henry Wriothesley, earl of Southampton, to whom he dedicated his first two poems, Venus and Adonis (1593) and The Rape of Lucrece (1594). The former was a long narrative poem depicting the rejection of Venus by Adonis, his death, and the consequent disappearance of beauty from the world. Despite conservative objections to the poem’s glorification of sensuality, it was immensely popular and was reprinted six times during the nine years following its publication.

In 1594, Shakespeare joined the Lord Chamberlain’s company of actors, the most popular of the companies acting at Court. In 1599, Shakespeare joined a group of Chamberlain’s Men that would form a syndicate to build and operate a new playhouse: the Globe, which became the most famous theater of its time. With his share of the income from the Globe, Shakespeare was able to purchase New Place, his home in Stratford.

While Shakespeare was regarded as the foremost dramatist of his time, evidence indicates that both he and his contemporaries looked to poetry, not playwriting, for enduring fame. Shakespeare’s sonnets were composed between 1593 and 1601, though not published until 1609. That edition, The Sonnets of Shakespeare, consists of 154 sonnets, all written in the form of three quatrains and a couplet that is now recognized as Shakespearean. The sonnets fall into two groups: sonnets 1–126, addressed to a beloved friend, a handsome and noble young man, and sonnets 127–152, to a malignant but fascinating “Dark Lady,” who the poet loves in spite of himself. Nearly all of Shakespeare’s sonnets examine the inevitable decay of time, and the immortalization of beauty and love in poetry.

In his poems and plays, Shakespeare invented thousands of words, often combining or contorting Latin, French, and native roots. His impressive expansion of the English language, according to the Oxford English Dictionary, includes such words as: arch-villain, birthplace, bloodsucking, courtship, dewdrop, downstairs, fanged, heartsore, hunchbacked, leapfrog, misquote, pageantry, radiance, schoolboy, stillborn, watchdog, and zany.

Shakespeare wrote more than thirty plays. These are usually divided into four categories: histories, comedies, tragedies, and romances. His earliest plays were primarily comedies and histories such as Henry VI and The Comedy of Errors, but in 1596, Shakespeare wrote Romeo and Juliet, his second tragedy, and over the next dozen years he would return to the form, writing the plays for which he is now best known: Julius Caesar, Hamlet, Othello, King Lear, Macbeth, and Antony and Cleopatra. In his final years, Shakespeare turned to the romantic with Cymbeline, A Winter’s Tale, and The Tempest.

Only eighteen of Shakespeare’s plays were published separately in quarto editions during his lifetime; a complete collection of his works did not appear until the publication of the First Folio in 1623, several years after his death. Nonetheless, his contemporaries recognized Shakespeare's achievements. Francis Meres cited “honey-tongued” Shakespeare for his plays and poems in 1598, and the Chamberlain’s Men rose to become the leading dramatic company in London, installed as members of the royal household in 1603.

Sometime after 1612, Shakespeare retired from the stage and returned to his home in Stratford. He drew up his will in January of 1616, which included his famous bequest to his wife of his “second best bed.” He died on April 23, 1616, and was buried two days later at Stratford Church.